Eccentric is the best word I can use to describe Emir Kusturica’s masterpiece. From the soundtrack to the story, you’re whipped up into a world spinning faster than a toupee in a hurricane complimented, however, by a visual poeticism. A tale of romance, of age and friendship counterbalances the pace of the world you’re thrown haphazardly into.

 

Matko is a low level crook with ambitions of grandeur that fail to match his abilities and track record. Constantly scheming for his big break, he’s undone by the weight of his aspirations never better illustrated then when he is dragged into the danube failing to carry a washing machine he’s bought off the passing Russians. His son, Zare, plays the real protagonist, a layabout with eyes only for Ida and his grandfather who, with Grga Pitic, represents the old guard. But like the washing machine, Zare is hauled into his father’s schemes and inevitable fallout, leading to a very unmatched arranged marriage that requires his own scheming to escape.

 

What’s so special about it?

The script provides a backdrop to allow Kusturica to paint his portrait of the Roma community. Tragedy is spun to comedy and comedy is at its very best here when at its most brutal. The cast is phenomenal in their performances, but also their own physical form, and this physicality of the film is key to its slapstick approach from sampling petrol to watching a pig eat the chassis from a car.

 

Final Thoughts?

Definitely one to watch amongst a crowd of fellow minded cinephiles. Packed full with plenty of romance, comedy and thrills – Black Cat White Cat will have you howling with laughter. Be sure to swiftly cross it off your list of greatest films you’ve never seen.